Issue
79
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Table of Content
Editor's Letter
How I Learned to Stop Worrying and Love Art
BY Elaine W. Ng
Reports
ONE ON ONE: Heman Chong on Young-Hae Chang Heavy Industries
BY Heman Chong
DISPATCH: Lahore
BY Ambereen Karamat
NEWS: Round Up
BY The Editors
AUCTION REPORT
BY The Editors
ART FAIR REPORT
BY The Editors
THE POINT: No, But Seriously
BY Jonathon Keats
WHISPERING GALLERY
BY DT
PREVIEWS
BY The Editors
NEW CURRENTS: Altered States
BY The Editors
Essays
PERSPECTIVE: Biennials and Infrastructure Shift – Part I
BY Terry Smith
PROJECT: My Second Life in Tibet
BY Arahmaiani Feisal
SURVEY: Healing the Wounds
BY Jane Ingram Allen
CASE STUDY: Prison Breaks
BY Chin-Chin Yap
Profiles
Simon & Catriona Mordant
BY Michael Young
Imran Qureshi
BY Kedar Vishwanathan
Manuel Ocampo
BY Susan Gibb
Sultan Sooud al-Qassemi
BY Isabella E. Hughes
Features
Trippple Nippples: I Like I Like I Like I Like . . . To Freakout
BY David Frazier
Rania Stephan: Life on Screen
BY Elisabeth Stoney
Xijing Men: The Capital of Absurdia
BY Olivier Krischer
Vahap Avşar: (Re)Circulation Problems
BY HG Masters
Reviews
New York: Fu Baoshi
BY Don J. Cohn
Sydney: He Xiangyu
BY Rachel Kent
Seoul: Kim Eull
BY Jayoon Choi
Tokyo: Atsuko Tanaka
BY Anneke Jaspers
Taipei: Chim↑Pom
BY David Frazier
Hong Kong: Why Do Trees Grow Till the End?
BY Kathy Zhang
Manila: Alice and Lucinda
BY Susan Gibb
Singapore: Lee Wen
BY Narelle Yabuka
Kolkata: Sakti Burman
BY Rita Bhimani
Sharjah: Migrasophia
BY Alexandra MacGilp
Istanbul: Orhan Pamuk
BY HG Masters
Amsterdam: Meiro Koizumi
BY Elisabeth Stoney
London: Michael Joo
BY Ho Rui An
Los Angeles: Requiem for the Sun
BY Gabriel Ritter
BOOK REVIEWS: Dealing with Money and Friends
BY Don J. Cohn
Where I Work
Song-Ming Ang
BY Don J. Cohn
Commentary
FINE PRINT: Co-Investing in Art
BY Enrique Liberman
QUESTIONNAIRE: Janet Laurence
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