Issue
68
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Table of Content
Editor's Letter
Let One Hundred Flowers Boom!
BY Elaine W. Ng
Reports
WISH YOU WERE HERE: From Gwangju, South Korea
BY Massimiliano Gioni
QUESTIONNAIRE: Shane Cotton
BY Shane Cotton
MY EIGHT: Raqib Shaw
BY Raqib Shaw
NEWS: Shanghai Expo, Cai Guo-Qiang and the Chinese Dreamship
BY Don J. Cohn
NEWS: Leyla Akhundzadeh
BY Sara Raza
NEWS: Thai Sculpture Controversy
BY Brian Mertens
NEWS: Police Censor Bangladesh Photo Gallery
BY Hanae Ko
NEWS: Bahman Jalali (1944–2010)
BY William Pym
NEWS: Director Director Quits Over Funding Imbalance
BY Michael Young
NEWS: Disputed Evictions Continue
BY HG Masters
NEWS: Round Up
BY William Pym
THE POINT: Righteous Indignation
BY John Elliott
AUCTION REPORT
BY The Editors
ART FAIR REPORT
BY The Editors
WHISPERING GALLERY
BY DT
Essays
CLOSE READ: Making Career Movies
BY Eliza Tan
CASE STUDY: Blooming Into Being
BY Chin-Chin Yap
CURRENT AFFAIRS: Clearing the Air
BY Jonah Brucker-Cohen
ARCHIVES: An Ongoing Journey
BY Joseph N. Newland
Profiles
Erbossyn Meldibekov
BY Irina Makarova
Farhad Moshiri
BY Elaine W. Ng
Wang Qingsong
BY Meg Maggio
Raya Martin
BY Shanay Jhaveri
Features
Monir Shahroudy Farmanfarmaian: Fractured & Dissolved into Brilliance
BY HG Masters
Brook Andrew: Archives of the Invisible
BY Ashley Rawlings
Biennale of Sydney: The Trials of a Long-Distance Relationship
BY William Pym
Omer Fast: Truth Bends & Decays As It Travels
BY James Trainor
Sun Yuan & Peng Yu: The Confinement of Freedom
BY Olivier Krischer
Reviews
New York: Hanging Fire
BY Alexander Keefe
Darwin: Personal Space
BY Julian Scarff
Taipei: Chen Chieh-jen
BY David Frazier
Shanghai: History in the Making
BY Xhingyu Chen
New Delhi: A. Balasubramaniam
BY Deeksha Nath
Baku Biennale
BY Yulia Tikhonova
Tel Aviv: ArtTLV
BY HG Masters
Basel: Danh Vo
BY Murtaza Vali
London: Continuum
BY Rajesh Punj
New York: Memory
BY Ashley Rawlings
BOOK REVIEWS: From A to B and Back Again
BY Don J. Cohn
Where I Work
Chosil Kil
BY HG Masters
The Back
THE LAST WORD: Living the Dream
BY Hanae Ko
IDEAS ON A NAPKIN: Cary Kwok
BY Cary Kwok
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