Issue
120
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Table of Content
Editor's Letter
Radical Hope
BY Elaine W. Ng
Reports
ONE ON ONE: Inas Halabi on Rosalind Nashashibi
BY Inas Halabi
DISPATCH:Vancouver
BY GODFRE LEUNG
NEWS: Main
BY The Editors
NEWS: General
BY The Editors
THE POINT: Imagining the Impossible
BY LUCAS IHLEIN AND KIM WILLIAMS
WHISPERING GALLERY
BY DT
TRIBUTE: Gaylord Chan, 1925-2020
BY JOHNSON TSONG-ZUNG CHANG
AUCTION REPORT
BY The Editors
ART FAIR REPORT
BY The Editors
PREVIEWS
BY The Editors
NEW CURRENTS
BY The Editors
Essays
Whose Land? Examining Claims to Sand and Memory
BY CHENG MUN CHANG
Profiles
Rachel Teo
BY PATRICIA CHEN
Zheng Mahler
BY Ophelia Lai
Miljohn Ruperto
BY MELANIE POCOCK
Features
Collective Cosmologies
BY HG Masters
Looking at Looking
BY Chloe Chu
UP CLOSE
BY Chloe Chu, Ophelia Lai, HG Masters
INSIDE BURGER COLLECTION: From Photo to Fine Art: Tim Gardner’s Transformative Paintings
BY PAUL LASTER
Reviews
Sydney: 22nd Biennale of Sydney: “NIRIN”
BY NEHA KALE
Seoul: Insane Park: “I have no idea, because I have no idea” and “Joy of Painting”
BY ANDY ST. LOUIS
Manila: Unusual Tranquility
BY John Alexis Balaguer
Beijing: Magician Space: Diagonal
BY LI JIA
REVIEWS
BY HG Masters
Ho Chi Minh City: Lananh Lê: frozen data
BY ZARA STANHOPE
Dubai
BY Ruba Al-Sweel
Antwerp: Haider Jabbar: Decapitation
BY RATHSARAN SIREEKAN
London: Joonhong Min and Shinuk Suh: Rendered Reality
BY ROSANNA LEE
Online: Liu Xiaodong: Spring in New York
BY Kaitlin Hao
BOOK REVIEWS: Cutting to the Core
BY Ophelia Lai, HG Masters, Lauren Long
Where I Work
Norberto “Peewee” Roldan
BY John Alexis Balaguer
The Sketch
THE SKETCH
BY The Editors
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