Issue
107
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Table of Content
Editor's Letter
Elemental Forces
BY Elaine W. Ng
Reports
PREVIEWS
BY The Editors
NEWS: Main
BY The Editors
NEWS: General
BY The Editors
NEW CURRENTS
BY Ned Carter Miles, Julee Woo Jin Chung, Chloe Chu
WHISPERING GALLERY
BY DT
THE POINT: Navigating Laws and Accessibility in Exhibition Practices
ONE ON ONE: Brook Andrew on Jimmie Durham
DISPATCH: Phnom Penh
AUCTION REPORT
BY The Editors
ART FAIR REPORT
BY The Editors
FINE PRINT: The Artist Pension Trust and the Price of Trusting Others
BY Ryan Su
Essays
Beyond Infrastructures
BY Cleo Roberts
Man, Machine or Dragonfly?
BY David Frazier
Profiles
Jam Acuzar
BY Josephine V. Roque
Douglas So
BY Chloe Chu
Andrew Ruff and Ling Ling Zou
BY Arthur Solway
Désiré Feuerle
BY Ned Carter Miles
Pakhruddin Sulaiman
Penelope Seidler
BY Michael Young
Features
Inside Burger Collection: The Artist As Mirror Holder
BY Ho Siu Kee
Then And Now: A look back through our archives, from 1993 to 2017
Young & Emerging: Landscapes Scarred And Renewed
Kwok Mang-Ho: Perpetual Rebel
BY Ysabelle Cheung
Jumana Emil Abboud: Spirits That Possess Homelands
BY HG Masters
Reviews
Rome: Home Beirut
BY Ana Vukadin
Eindhoven: Rasheed Araeen
BY Clara Tang
Seoul: Reenacting History
BY Elaine W. Ng
Taichung: Sixth Asian Art Biennial
BY Rikey Cheng
Shanghai: Kohei Nawa
Art and China After 1989: Theater of the World
BY HG Masters
Shanghai: Joseph Beuys and Nam June Paik
BY Arthur Solway
Brisbane: Problem-Wisdom
BY Tim Walsh
Beijing: Yin Xiuzhen
BY Tom Mouna
Hong Kong: The Weight of Lightness
BY Olivia Wang
Sydney: Lisa Reihana
BY Michael Young
Beirut: Raed Yassin
BY Gökcan Demirkazik
Tbilisi: Artisterium 2017
BY Charles Merewether
Jakarta: Jakarta Biennale 2017
BY Vera Mey
Singapore: Chen Wei
BY Jean Wong
London: Basma Alsharif
BY Ned Carter Miles
New York: Ahmed Mater
BY Tausif Noor
BOOK REVIEWS: When Worlds Collide
BY Brady Ng
Los Angeles: Noboru Takayama
BY Jennifer S. Li
Where I Work
Jawad al-Malhi
BY HG Masters
The Sketch
Hon Chi Fun
BY The Editors
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