Issue
104
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Table of Content
Editor's Letter
Slow Down, Look Closer
BY Elaine W. Ng
Reports
ONE ON ONE: Rasheed Araeen on Anthony Caro
BY Rasheed Araeen
DISPATCH: Bangkok
BY Gregory Galligan
NEWS: Main
BY The Editors
NEWS: General
BY The Editors
THE POINT: Narrating Syria Through Family-Run Arts Patronage
BY Shireen Atassi
WHISPERING GALLERY
BY DT
AUCTION REPORT
BY The Editors
ART FAIR REPORT
BY The Editors
PREVIEWS
BY The Editors
NEW CURRENTS
BY Mimi Wong, Ysabelle Cheung, Gökcan Demirkazik
Essays
Culture of Reappearance
BY Antony Dapiran
Profiles
Ian Holliday: Through Burmese Eyes
BY Elaine W. Ng
Ross Manning: In Motion
BY Ellie Buttrose
Cian Dayrit: Mischievous Historiography
BY Dominic Zinampan
Features
Rana Begum: Simply Put
BY Ned Carter Miles
Kunié Sugiura: Becoming Image
BY HG Masters
Zhao Tao: Beyond Geography Lies the Truth
BY Yung Ma
INSIDE BURGER COLLECTION: A Plate with Milk
BY Isa Cossement
Reviews
Venice: 57th Venice Biennale
BY HG Masters
Sydney: Familiar Stranger
BY Chloé Wolfson
Melbourne: Christian Thompson
BY Sarah Werkmeister
Beijing: The New Normal
BY Thomas Mouna
Hong Kong: Ambiguously Yours
BY Arthur Tam
Singapore: Kim Beom
BY Marybeth Stock
Dubai: Syria: Into The Light
BY Brady Ng
Abu Dhabi: But We Cannot See Them: Tracing A UAE Art Community, 1988–2008
BY Lesley Ann Gray
Athens: Documenta 14
BY Nooshfar Afnan
Berlin: 2 Or 3 Tigers
BY Clara Tang
Milan: Liu Xiaodong
BY Alessandra Alliata Nobili
Barcelona: Akram Zaatari
BY Rebecca Close
London: Lawerence Abu Hamdan
BY Ned Carter Miles
New York: Ian Cheung
BY Mimi Wong
New York: Whitney Biennial 2017
BY Mostafa Heddaya
Los Angeles: Young-il Ahn
BY Jennifer S. Li
BOOK REVIEWS: Recipes for Looking
BY Don J. Cohn
Where I Work
Firenze Lai
BY Ysabelle Cheung
The Sketch
Lamia Joreige
BY The Editors
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