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EDITOR'S LETTER

The Practice of Self

TALA MADANI, Shit Mom (Dream Riders), 2019, oil on linen, 195.6 × 203.2 × 2.5 cm. 

Photo by Lee Thompson. Courtesy David Kordansky Gallery, Los Angeles.

How does an artist’s life shape or determine their artwork? It’s often impossible to know unless the artist appears in their work, or they tell us in words. In the Feature articles in the November/December issue of ArtAsiaPacific, we look at two artists—from different generations and geographies— whose practices draw from their own lives in unique ways.

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