Power Station of Art
12TH SHANGHAI BIENNALE
ENRIQUE JEŽIK, In Hemmed-in Ground, 2018
Steel structure, recycled cardboard, 77 × 1150 × 1150 cm.
Installation view of the 12th Shanghai Biennale, “Proregress: Art in an Age of Historical Ambivalence,”
at the Power Station of Art, Shanghai, 2018–19. Courtesy the artist and Hilario Galguera Gallery, Mexico City.
In his 1989 essay “The End of History?,” published on the eve of communist collapse across Europe, international-relations scholar Francis Fukuyama argued that the political winds signaled “the total exhaustion of viable…