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REVIEWS

MUNICH

Haus der Kunst

Postwar: 

Art Between The Pacific 

And The Atlantic, 

1945–1965

IRI AND TOSHI MARUKIWater (Panel III) 1950–82, From “Hiroshima Panels” (series of 15 panels)

India ink and Japanese paper, 180 x 720 cm.

Courtesy Maruki Gallery For The Hiroshima Panels Foundation, Saitama. 

For three years, Haus der Kunst director Okwui Enwezor, together with Katy Siegel and Ulrich Wilmes, conducted research on art produced in the two decades following the Second World War. Their collective endeavor culminated in “Postwar: Art Between the Pacific and the Atlantic, 1945–1965,” an

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