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It’s been more than two decades since Korea hosted its first international biennial in Gwangju in 1995. For decades, biennials around the world have served as experimental fronts for forging the newest channels of discourse in contemporary art. Korean biennials in Gwangju, Busan, and Seoul have been especially crucial in putting forth regional cultural assets as universal values of the contemporary era, thereby injecting fresh energy into the dynamic fluxes of contemporary art.

In celebration of the 2016 season, which will simultaneously bring exhibitions to Gwangju, Busan, and Seoul, this special supplement was put together to…

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