Issue/60/
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WHERE I WORK

Byron Kim

TEXT BY Anna Altman

On a Monday afternoon in mid-June, Byron Kim’s most recent Sunday Painting hung still wet on his Brooklyn studio wall. Kim had traveled to Washington DC the previous day, and though he fussed about bringing all the necessary materials for his weekly project, in the end he forgot to bring along the panel. In the seven years since he began the series it’s only happened a few times before, he admits, and the date inscribed on the canvas faithfully records his oversight.

Photographed
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