53rd Venice Biennale Participating Artist
Pak Sheung Chuen
The Art of Covert Intervention
By Olivier Krischer
Pre-cut fruit, newspaper supplements and defaced library books—tracing a sequence of unconventional performances staged from Hong Kong to New York.
Ever bought half a watermelon and wondered who bought the other half? Or, as Pak Sheung Chuen would put it: who did you share your watermelon with? Which anonymous individual were you connected to through this piece of conveniently pre-cut fruit? Whether…