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By Any Other Name

AU HOI LAM, Memorandum (To Love Someone Once Again), 2014, 

pencil, color pencil, acrylic and linen, 122 × 153 × 5 cm. Courtesy the artist. 

For decades, art critics have been preaching about the death of painting. But if you head to any of the art world's big March events, such as Art Basel in Hong Kong, Mathaf's presentation from its permanent collection of modern Arab art or The Met Breuer's inaugural exhibition of Nasreen Mohamedi in New York, painting is clearly alive and kicking. Instead of declaring…

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