In a Cowboy Town . . . . .
Since the early 1970s, Singaporean artist Cheo Chai-Hiang has teased viewers with his visual and linguistic epigrams. Eccentric, facetious, even vulgar, his work has prompted rejection and censorship. Although Malaysia-based Cheo has spent much of his career overseas, he has long been a critical observer of his country's draconian development policies that are implemented at the cost of its multiracial…