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Moe Satt

No Idle Hands

By Denise Tsui

Portrait of Moe Satt. Courtesy 10 Chancery Lane Gallery, Hong Kong.

The second time I met Moe Satt, earlier this year in January, he had just arrived in Hong Kong to curate “Silent for a While,” a group exhibition at 10 Chancery Lane Gallery featuring seven contemporary artists from his native Myanmar. The show addressed the turbulent modern history of the country, which had only attained a nominally civilian government in 2010 after 50 years under the repressive rule of a military junta. My first…

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