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The Art of Materiality in a Pixelated World

by darryl wee

Takashi Azumaya, the first non-Korean curator to head the Busan Biennale, discusses art after the spread of the internet.

TAKASHI AZUMAYA champions artists who work with the here-and-now physicality of art experienced in a three-dimensional space,

 rather than flattened on a screen.

On a humid afternoon in May, Takashi Azumaya is scrutinizing and finalizing details for “identity, body it,” a group show of Japanese and international female artists opening the next day at Nichido Contemporary Art in Tokyo. “I’ve been living in…

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