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EXHIBITION REVIEW

Man and Earth


YU PENG, Studio of the Heart: How Glad, 1992, ink on paper, 139 x 138.5 cm.

The increasing American interest in contemporary Asian art has been marked by a series of remarkable recent exhibitions. Almost all Asian countries have been featured, but the case of Taiwan has a special significance in view of what is commonly presented in the American media as a problem of national-political status and international diplomatic recognition. The current exhibition of four Taiwan artists, ambitiously titled 'Man and Earth', which originated in Taipei and began

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