Issue/18/
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Exhibition Review

ITALY

The Venice Biennale

Japan, Korea and Taiwan

Rachel Kent

JUN-JIEH WANG, Neon Urlaub I, 1997, computer collage, 300 x 450 x 450 cm, collection the artist.


Despite the inevitable hype that surrounds the Venice Biennale, there is usually speculation as to the purpose of the event and its significance in changing times. The 47th Venice Biennale proved to be no exception, receiving a lukewarm reception from critics. Celebrating its 102nd year in business, the 47th Biennale comprised exhibits by fifty-eight participating countries in pavilions at the Giardini di Castello…

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