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Gallery Report

SINGAPORE

Alternative spaces

Lee Weng Choy

STEFAN JONSSON, Untitled (After ...), 1998, installation view, Plastique Kinetic Worms.

That high priest of high modernism, Clement Greenberg, once said that a critic's 'first job is to point, call attention; after that let him try to explain. But his first job is to point: to say I like this and I don't like that.’1 Greenberg, of course, was famous for his imperial pronouncements ranking the 'best' artists of his time. Although his doctrine may have lost its sway, I cannot but agree with at

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