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The Editors
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Xper.Xr: Maximum RPM
HG Masters
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New Currents: Swapping Sides
Judy Chiu, Gabrielle Tse, Chloe Morrissey
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Previews: Subversive Play
The Editors
Features
Up Close
HG Masters, Ophelia Lai, Cassie Liu
Reviews
Something New Must Turn Up: Six Singaporean Artists After 1965
Louis Ho
Profiles
Kang Seung Lee: Hand-body Connection
GÖKCAN DEMİRKAZIK
Features
What History Calls For: An Interview With Gala Porras-kim
Cleo Roberts-Komireddi
Reviews
Richard Bell: You Can Go Now
Johanna Bear
Editor's Letter
Listening to the Past
Elaine W. Ng
Reviews
Chung Sang Hwa
TAEYI KIM
Reviews
Yu Ji: Wasted Mud
CHRISTOPHER WHITFIELD
Reviews
Book Reviews: Models For The Future
Pamela Wong, HG Masters, Chloe Chu
Reviews
Another Energy: Power to Continue Challenging – 16 Women Artists from around the World
MAKI NISHIDA
Reviews
Bagyi Aung Soe
BÉATRICE GRENIER
Reviews
An-My Lê: đô-mi-nô
EMILY CHUN
Reviews
Cao Yu: Passing Through the Human World
HUTCH WILCO
Reviews
Extended Figure: The Art and Inspiration of Lalan
CASSIE LIU
Reviews
Simon Fujiwara: Who the Bær
Alessandra Alliata Nobili
Reviews
Zhao Yang: Godlike Rage
Hutch Wilco
Reviews
Joebau: Throw Hide & Twist
John Alexis Balaguer
Where I Work
Leelee Chan: Alchemical Reactions
Ophelia Lai
Reports
A Proposed Artist’s Contract for NFTs
Yayoi Shionoiri & Ryan Su
Reports
Auction Report: Lucrative Collaborations
The Editors
Essays
Screensavers for the Future: Virtual Dreams of Revolution
Susan Htoo
Reports
Relooking for Relevance
Yi Cao
Reports
The New Dis-Normal
Robert Rhee
Profiles
Nabuqi: Now You See It
Ophelia Lai
Reports
Mark Salvatus on Alfredo and Isabel Aquilizan
Mark Salvatus
Features
Ancestral Sisterhoods of the Deep Sea and Outer Space: An Interview with Zadie Xa
Chloe Chu
Features
Inside Burger Collection: Thinker Of The Present: The Art Of Lee Ufan
JEAN-MARIE GALLAIS
Reports
News: Missing Artworks Raise Accountability Issues at Japanese Museum
The Editors
The Sketch
Tuan Andrew Nguyen: If the Earth Could Speak
Ophelia Lai
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