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Boston: Huma Bhabha
Phoebe Tam
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Venice: 58th Venice Biennale: “May You Live in Interesting Times”
HG Masters
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ART FAIR REPORT
The Editors
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AUCTION REPORT
The Editors
Features
INSIDE BURGER COLLECTION: The Essence of Our Existence
Astrid Mania
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San Jose: Rina Banerjee
Shona Mei Findlay
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Sydney: The National 2019
Grace Huang
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Los Angeles: The Allure of Matter: Material Art from China
Jennifer S. Li
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BOOK REVIEWS: Turning Pages
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Busan: Ha Chong-Hyun
Ophelia Lai
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Manila: The Center Will Not Hold
Alec Madelene Abarro
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New York: Simone Fattal
Mimi Wong
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London: Motions of This Kind: Propositions and Problems of Belatedness
Ned Carter Miles
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Hong Kong: Lam Tung Pang
Ophelia Lai
Features
Amphibian Heroes, Skins, Naive Effects: A CONVERSATION WITH MOCHU
Lantian Xie
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Eindhoven: Van Abbemuseum
Rathsaran Sireekan
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Seoul: Lee Kun-Yong
Andy St.Louis
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Beijing: China Landscape: Selections from the Taikang Collection 2019
HG Masters
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Cologne: Nil Yalter
Brian Haman
Features
IN DEPTH
HG Masters, Ysabelle Cheung, Chloe Chu, Ophelia Lai
Profiles
Mohammed Rashid Al-thani
Sara Raza
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Kuwait City: Civil Architecture
ABDULLAH AL-MUTAIRI
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Istanbul: Mike Nelson
Chloe Chu
Editor's Letter
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Elaine W. Ng
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Long Xinru
Tom Mouna
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DISPATCH: Los Angeles
Danielle Shang
Features
Patty Chang: Abject, Exposed and Potent Desires
Ysabelle Cheung
Profiles
Seulgi Lee
Melanie Pocock
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ONE ON ONE: Pio Abad on Leo Valledor
Pio Abad
Reports
THE POINT: Blockchain: Tree of Potential
Misha Libman and Andrey Alekhin
Essays
That Was Then
Antony Dapiran
Essays
Double Hatting
Patricia Chen
Reports
WHISPERING GALLERY: Vicious Cycles
DT
The Sketch
The Sketch
The Editors
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NEW CURRENTS
Ophelia Lai, Pamela Wong, Chloe Chu
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NEWS: General
The Editors
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NEWS: Main
The Editors
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PREVIEWS: THERE AND BACK AGAIN
The Editors
Where I Work
Burçak Bingöl
Chloe Chu
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